Henryk Wieniawski’s concert tours in Norway
Abstract
Numerous publications dedicated to Henryk Wieniawski’s life and concert activity note his frequent performances in Denmark and Sweden. We know some details of his journeys to these countries and of the concerts he gave there. The some studies also mention the Polish violinist’s concerts in Norway. Still, the information we have is of very general character, and the dates of the concerts are either misquoted or inconsistent. This paper reports the results of source studies on Henryk Wieniawski’s contacts with the audience in Norway. In the course of my research, I have established that the virtuoso visited Norway three times, and each of these tours was organised by Carl Warmuth’s concert agency operating in the country’s capital at that time. During each tour Wieniawski gave at least several concerts. The research has also demonstrated that the violinist performed not only in the Norwegian capital, but also in other cities situated in the south of the country. I have managed to reconstruct the contents of the artist’s performances on the basis of surviving concert programmes, while the press notes on Wieniawski’s tours reflect the atmosphere that accompanied his appearances. The reception was invariably enthusiastic, and the concert halls were filled to capacity. Following Wieniawski’s death, however, the press virtually forgot about him. Only his music lived on, performed there in the following decades by both Norwegian and foreign artists.
Keywords:
musical life in Norway, Ole Bull, Edvard Grieg, Carl WarmuthAuthors
Dagmara Łopatowska-RomsvikJagiellonian University Poland
https://orcid.org/0000-0002-9283-0161
Statistics
Abstract views: 305PDF downloads: 285
License
Copyright (c) 2019 Muzyka

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
The author grants the publisher a royalty-free nonexclusive licence (CC BY 4.0) to use the article in Muzyka, retains full copyright, and agrees to identify the work as first having been published in "Muzyka" should it be published or used again (download licence agreement). By submitting an article the author agrees to make it available under CC BY 4.0 license.
Articles from 2018/1 to 2022/3 were published under a Creative Commons license CC BY-NC-ND 4.0. During this period the authors granted the publisher a royalty-free nonexclusive license (CC BY-ND 4.0) to use their article in "Muzyka", retained full copyright, and agreed to identify the work as first having been published in our journal should it be published or used again.
Most read articles by the same author(s)
- Dagmara Łopatowska-Romsvik, Bernard Piotrowski, 'Edvard Grieg. Życie – fascynacje – dramaty', Poznań 2010; Agnieszka Dybowska-Błoch, 'Edvard Grieg. Życie i Twórczość 1843–1907', Toruń 2019 , Muzyka: Vol. 67 No. 4 (2022)
- Dagmara Łopatowska-Romsvik, Adolf Chybiński and Norway , Muzyka: Vol. 62 No. 1 (2017)