‘Bad Taste And Common Exaggeration’. Several remarks on the musical and dramatic structure of Józef Elsner’s Opera Sultan Wampum, as compared with the original libretto by August von Kotzebue

Jakub Chachulski


Institute of Art of the Polish Academy of Sciences (Poland)
https://orcid.org/0000-0002-8972-1490

Abstract

The paper discusses Józef Elsner’s opera Sultan Wampum with texts by Wojciech Bogusławski and Augustyn Gliński, analysed here as an adaptation of the German libretto by August von Kotzebue. I have questioned the Warsaw reviewer’s opinion of 1815 (quoted in the title), in which he criticised the Polish translators for inserting ‘common’ and unnecessary elements in the text. Instead, I present those added sections as a result of Elsner and Bogusławski’s consistent concept for the adaptation of Kotzebue’s peculiar type of singspiel and transforming it into a fully-fledged comic opera. Te additions thus mainly stemmed from the consideration of musical-dramatic form and their choice of genre. I examine changes in the structures of acts, and the character of the added solo numbers. I also discuss in detail the extensive fnales, which are the main point at which the Warsaw authors interfered with the original libretto. Te changes they introduced distorted the coherent vision of the German librettist and led to internal discrepancies in the Warsaw version, which, nevertheless, proved to be a successful adaptation of the work to the tastes of the wide audience that frequented Warsaw’s theatres

 


Keywords:

Józef Elsner, August von Kotzebue, Sultan Wampum, opera, singspiel


Published
2019-12-31

Cited by

Chachulski, J. (2019). ‘Bad Taste And Common Exaggeration’. Several remarks on the musical and dramatic structure of Józef Elsner’s Opera Sultan Wampum, as compared with the original libretto by August von Kotzebue. Muzyka, 64(4), 3–36. https://doi.org/10.36744/m.236

Authors

Jakub Chachulski 

Institute of Art of the Polish Academy of Sciences Poland
https://orcid.org/0000-0002-8972-1490

Statistics

Abstract views: 241
PDF downloads: 302


License

Copyright (c) 2019 Muzyka

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

The author grants the publisher a royalty-free nonexclusive licence (CC BY 4.0) to use the article in Muzyka, retains full copyright, and agrees to identify the work as first having been published in Muzyka should it be published or used again (download licence agreement). By submitting an article the author agrees to make it available under CC BY 4.0 license.

Articles from issues up to and including 3/2022 were published under a Creative Commons license CC BY-NC-ND 4.0. During this period the authors granted the publisher a royalty-free nonexclusive license (CC BY-ND 4.0) to use their article in Muzyka, retained full copyright, and agreed to identify the work as first having been published in our journal should it be published or used again.