Polish musical life in Great Britain during the Second World War
Jolanta Guzy-Pasiak
Institute of Art of the Polish Academy of Sciences (Poland)
https://orcid.org/0000-0001-5603-8831
Abstract
The present article is the first attempt to provide a comprehensive – as much as the available sources allow – presentation of Polish music in Great Britain during the war, without any claims to completeness. The main institution attracting Poles in London was, practically from the beginning of the war, Polish Hearth, founded by Polish artists, scholars and writers. The Polish Musicians of London association with Tadeusz Jarecki organised classical music concerts and published contemporary works by Polish composers. The organisation was instrumental in the founding of the London Polish String Quartet. The BBC Radio played a huge role in the popularisation of the Polish repertoire and Polish artists, broadcasting complete performances. What became an extremely attractive form of promoting Polish art were the performances of the Anglo-Polish Ballet, founded by Czesław Konarski and Alicja Halama in 1940. The post-war reality meant that most of the scores published at the time were arrangements of soldiers’, historical, folk and popular songs characterised by simple musical means suited to the capabilities of army bands, but conveying the spirit accompanying the soldiers of the Polish Armed Forces during the Second World War. Polish Army Choir established, as the first among such ensembles, on Jerzy Kołaczkowski’s initiative.The author hopes to prompt further studies into the history of migrations of artists and work on monographs on the various composers and performers. Undoubtedly, there is a need to bring this part of our musical culture to light, especially given the fact that interest in Polish music abroad has been growing in recent years.
Keywords:
Polish music abroad, musical life in Great Britain, London, history of Polish music, Polish refugees in the Second World War, Polish Government-in-exile, twentieth-century musicAuthors
Jolanta Guzy-PasiakInstitute of Art of the Polish Academy of Sciences Poland
https://orcid.org/0000-0001-5603-8831
Statistics
Abstract views: 510PDF downloads: 392
License
Copyright (c) 2019 Muzyka

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
The author grants the publisher a royalty-free nonexclusive licence (CC BY 4.0) to use the article in Muzyka, retains full copyright, and agrees to identify the work as first having been published in "Muzyka" should it be published or used again (download licence agreement). By submitting an article the author agrees to make it available under CC BY 4.0 license.
Articles from 2018/1 to 2022/3 were published under a Creative Commons license CC BY-NC-ND 4.0. During this period the authors granted the publisher a royalty-free nonexclusive license (CC BY-ND 4.0) to use their article in "Muzyka", retained full copyright, and agreed to identify the work as first having been published in our journal should it be published or used again.
Most read articles by the same author(s)
- Jolanta Guzy-Pasiak, Polish Music in Zagreb between the Two World Wars (as Exemplified by the Croatian Music Institute) , Muzyka: Vol. 66 No. 4 (2021)
- Jolanta Guzy-Pasiak, Ewa Kowalska-Zając, 'Zobaczyć muzykę. Notacja polskiej partytury współczesnej', Łódź 2019 , Muzyka: Vol. 67 No. 3 (2022)
- Jolanta Guzy-Pasiak, The Slovak Composer Tadeaš Salva, Pupil of Bolesław Szabelski and Witold Lutosławski , Muzyka: Vol. 69 No. 2 (2024)
- Jolanta Guzy-Pasiak, Jim Samson, Music in the Balkans, Leiden 2013 , Muzyka: Vol. 63 No. 1 (2018)
- Jolanta Guzy-Pasiak, Nation and/or Homeland. Identity in 19th-Century Music and Literature between Central and Mediterranean Europe. Red. Ivano Cavallini. Milano, Udine 2012 , Muzyka: Vol. 61 No. 4 (2016)