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Vol. 65 No. 3 (2020):





Articles

The Question of the Continued Relevance of Roman Ingarden’s Concept of the Musical Work, in the Light of Contemporary Phenomenology

Andrzej Krawiec
3-20
published: 2020-09-30
  PDF (Język polski)  

'Composing for the Films' by Theodor W. Adorno and Hanns Eisler as Critical Commentary on Film Music

Joanna Kwapień
21-40
published: 2020-09-30
  PDF (Język polski)  

Artur Malawski’s Music for the 1957 Kraków Production of Stanisław Wyspiański’s 'Wyzwolenie' (Liberation) in the Context of the Political Thaw

Wioleta Muras
41-68
published: 2020-09-30
  PDF (Język polski)  

On the History of Kraków Workers’ Opera (1954–1957)

Sławomir Wieczorek
69-94
published: 2020-09-30
  PDF (Język polski)  

The Influence of the Development of the Record Industry and Globalisation on the Repertoires and Disc Recordings of Street Musicians

Ewelina Grygier
95-121
published: 2020-09-30
  PDF (Język polski)  

The Phenomenon of ‘Bulgarian Voices’: From Archaic Diaphony to Contemporary Choral Singing

Weronika Grozdew-Kołacińska
122-149
published: 2020-09-30
  PDF (Język polski)  

The Research Conducted by Mikołaj Witaszewski (1857–1918) into the Musical Culture of the Yakuts

Karolina Kondracka
150-168
published: 2020-09-30
  PDF (Język polski)  
Book review essays

Lutosławski’s Worlds, red./ed. Lisa Jakelski, Nicholas Reyland. Woodbridge 2018

Małgorzata Gamrat
169-178
published: 2020-09-30
  PDF (Język polski)  

Author's Response to Review of the book 'Organy i ich twórcy na obszarze ziemi sądeckiej'

Paweł Pasternak
179-184
published: 2020-09-30
  PDF (Język polski)  




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