Practice in the Service of Theory

Marta Stańczyk

kwartalnik.filmowy@ispan.pl
Jagiellonian University (Poland)

Abstract

In a review of the book by Małgorzata Kozubek Filmoterapia. Teoria i praktyka [Film Therapy: Theory and Practice] (2016). Stańczyk describes the first monograph on film therapy in Poland and the possibilities of cooperation between film experts and psychologists. The reviewer reads the book through the prism of its pro-social goals, recognizing that Filmotherapy does not fulfil the promises made at the outset. Kozubek’s book is divided into three parts: Theory, Between theory and practice and Practice. In the first part of the book Kozubek describes theoretical foundations (especially the projection-identification mechanism) and the socio-cultural context (post-modernity and therapeutic culture), in the second she reflects on the key to selecting films, placing emphasis on genre formulas as a modern form of myths. Superficial and inconsistent findings weaken the value of these two parts, and at the same time the language used is too hermetic for practitioners involved in film therapy. At the same time, they reduce the potential of the third, practical part of the book, showing Kozubek as an engaged humanist.


Keywords:

film therapy, post-modernity, therapeutic culture

Kozubek, Małgorzata, Filmoterapia. Teoria i praktyka (2016).
  Google Scholar


Published
2017-12-31

Cited by

Stańczyk, M. (2017) “Practice in the Service of Theory”, Kwartalnik Filmowy, (100), pp. 249–252. doi: 10.36744/kf.2010.

Authors

Marta Stańczyk 
kwartalnik.filmowy@ispan.pl
Jagiellonian University Poland

Filmoznawczyni, doktorantka w zakresie nauk o sztuce na Wydziale Zarządzania i Komunikacji Społecznej Uniwersytetu Jagiel­lońskiego, gdzie zajmuje się współczesną teorią kina. Redaktorka magazynu społeczno-kulturo­wego „FUSS”.



Statistics

Abstract views: 45
PDF downloads: 19


License

Copyright (c) 2017 Marta Stańczyk

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

The author grants the publisher a royalty-free non-exclusive licence (CC BY 4.0) to use the article in Kwartalnik Filmowy, retains full copyright, and agrees to identify the work as first having been published in Kwartalnik Filmowy should it be published or used again (download licence agreement). The journal is published under the CC BY 4.0 licence. By submitting an article, the author agrees to make it available under this licence.

In issues from 105-106 (2019) to 119 (2022) all articles were published under the CC BY-NC-ND 4.0 licence. During this period the authors granted a royalty-free non-exclusive licence (CC BY-ND 4.0) to use their article in „Kwartalnik Filmowy”, retained full copyright, and agreed to identify the work as first having been published in our journal should it be published or used again.