Imitation, Reconstruction, Propaganda: Cold War Wanderings of the European Western
Abstract
The article deals with West and East German films about the American Wild West made in the period of 1962-1983. The films from both sides of the Berlin Wall, the majority of which was co-produced with Yugoslavia, are discussed in a broader perspective of the Cold War geopolitical situation, as well as in the context of the changes taking place in American and European western at the time. The West German adaptations of Charles May’s novels are the apotheosis of the conservative and pro-American ideology of the classical western, while the polemical East German Indianerfilme refer to the aesthetics and in some respects to the revisionist world views of American anti-western and Italian spaghetti-western. The context of Yugoslav cinematography, and especially characteristic for the propaganda apparatus tendency to combine Hollywood patterns with socialist ideology, is also an important theme.
Keywords:
western, Cold War, anti-western, spaghetti-westernReferences
Eco, Umberto. Podróż do hiperrealnośći. In: Umberto Eco. Semiologia życia codziennego, tłum. J. Ugniewska, P. Salwa. Warszawa: Czytelnik, 1996.
Google Scholar
Vučetić, Radina. „Kauboji u partizanskoj uniformi. Američki vesterni i partizanski vesterni u Jugoslaviji šezdesetih godina 20. Veka.” Tokovi istorije 2 (2010).
Google Scholar
Authors
Michał Bobrowskikwartalnik.filmowy@ispan.pl
Jagiellonian University Poland
Doktor filmoznawstwa Uniwersytetu Jagiellońskiego. Opublikował książkę Akira Kurosawa. Artysta pogranicza (2012) i współredagował tom Obsession, Perversion, Rebellion. Twisted Dreams of Central European Animation (2016). Autor artykułów naukowych poświęconych amerykańskiemu oraz japońskiemu kinu gatunkowemu. Obecnie wykłada na Wydziale Filozoficznym Uniwersytetu Jagiellońskiego. Jest dyrektorem programowym StopTrik International Film Festival (Maribor, Słowenia), współpracownikiem festiwali filmów animowanych (Animateka, Etiuda&Anima IFF) oraz kuratorem pokazów prezentowanych m.in. w Polsce, Słowenii, Chorwacji, Holandii.
Statistics
Abstract views: 77PDF downloads: 115
License
Copyright (c) 2017 Michał Bobrowski

This work is licensed under a Creative Commons Attribution 4.0 International License.
The author grants the publisher a royalty-free non-exclusive licence (CC BY 4.0) to use the article in Kwartalnik Filmowy, retains full copyright, and agrees to identify the work as first having been published in Kwartalnik Filmowy should it be published or used again (download licence agreement). The journal is published under the CC BY 4.0 licence. By submitting an article, the author agrees to make it available under this licence.
In issues from 105-106 (2019) to 119 (2022) all articles were published under the CC BY-NC-ND 4.0 licence. During this period the authors granted a royalty-free non-exclusive licence (CC BY-ND 4.0) to use their article in „Kwartalnik Filmowy”, retained full copyright, and agreed to identify the work as first having been published in our journal should it be published or used again.
Most read articles by the same author(s)
- Michał Bobrowski, Master-Apprentice or Master-Slave?: A Postcolonial View of Post-war Soviet-Yugoslav Relations by the Example of ”In the Mountains of Yugoslavia” , Kwartalnik Filmowy: No. 128 (2024): Decolonizing Film Discourses