Przymus powtarzania i trauma historyczna – filmowe obrazy rzezi nankińskiej

Berry, Michael. „Cinematic Representations of the Rape of Nanking”, East Asia 19, no. 4, (2001): 85-108.
DOI: https://doi.org/10.1007/s12140-001-0018-9   Google Scholar

Berry, Michael. A History of Pain: Trauma in Modern Chinese Literature and Film. New York: Columbia University Press, 2008.
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Callahan, William. „Trauma and Community: The Visual Politics of Chinese Nationalism and Sino-Japanese Relations”. Theory & Event 10, no. 4 (2007), (http://www.cefc.com.hk/uf/file/Paul/Callahan%20Trauma%20T&E%2007.pdf).
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Chang, Iris. Rzeź Nankinu. Warszawa: Wielka Litera, 2013.
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Drea, Edward J. Cesarska armia Japonii. 1953-1945. Kraków: Wydawnictwo Uniwersytetu Jagiellońskiego, 2012.
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Freud, Sigmund. Poza zasadą przyjemności. Warszawa: Wydawnictwo Naukowe PWN, 2000.
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Gries, Peter Hayes. „China’s New Thinking on Japan”. The China Quarterly 184 (2005): 831-850.
DOI: https://doi.org/10.1017/S0305741005000524   Google Scholar

Hirsch, Joshua. Afterimage. Film, Trauma, and the Holocaust. Philadelphia: Temple University Press, 2004.
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Hirsch, Joshua. „Postmodernizm, drugie pokolenie i międzykulturowe kino posttraumatyczne”. In Antologia studiów nad traumą, edited by Tomasz Łysak, 253-284. Kraków: Universitas, 2015.
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Jing, Yang. „The Reinvention of Hollywood’s Classic White Saviour Tale in Contemporary Chinese Cinema: Pavilion of Women and The Flowers of War”, Critical Arts 28, no. 2 (2014): 247-263.
DOI: https://doi.org/10.1080/02560046.2014.906343   Google Scholar

Kaplan, E. Ann and Ban Wang, „Introduction: From Traumatic Paralysis to the Force Field of Modernity”. In Trauma and Cinema: Cross-cultural Explorations, edited by E. Ann Kaplan and Ban Wang, 1-22. Hong Kong: Hong Kong University Press, 2008.
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LaCapra, Dominic. „Trauma, nieobecność, utrata”. In Antologia studiów nad traumą, edited by Tomasz Łysak, 59-108. Kraków: Universitas, 2015.
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LaCapra, Dominic. Historia w okresie przejściowym. Doświadczenie, tożsamość, teoria krytyczna. Kraków: Universitas, 2009.
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Lowenstein, Adam Moment alegoryczny. In Antologia studiów nad traumą, edited by Tomasz Łysak, 285-312. Kraków: Universitas, 2015
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Schaefer, Eric. “Bold! Daring! Shocking! True!” A History of Exploitation Films, 1919-1959. Durham: Duke University Press, 1999.
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Troost, Kristof van den. „War, Horror and Trauma: Japanese Atrocities on Chinese Screens. In Chinese and Japanese Films on the Second World War, edited by King-fai Tam, Timothy Y. Tsu and Sandra Wilson, 54-66. New York: Routledge, 2015
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Yamamoto, Masahiro. Nanking: Anatomy of an Atrocity. Westport: Praeger, 2000.
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Zhu, Yanhong. „A Past Revisited: Re-presentation of the Nanjing Massacre in City of Life and Death”, Journal of Chinese Cinemas 7, no. 2 (2013): 85-108.
DOI: https://doi.org/10.1386/jcc.7.2.85_1   Google Scholar