Reappraisal of the Cinema of Moral Anxiety
Abstract
The Cinema of Moral Anxiety is considered as quite integral and coherent chapter in Polish Cinematography, but opinions concerning its artistic values remain sceptical. Dobrochna Dabert’s The Cinema of Moral Anxiety can be regarded as rehabilitation of that artistic and ideological formation and presents its full monograph. The author gives broad context for the films of that period (taking into consideration all important dimensions - time, generation, topics and politics) and also analyses and interprets the poetics and ethics of the Cinema of Moral Anxiety.
Keywords:
cinema of moral anxiety, Dobrochna Dabert, reviewReferences
Nie dotyczy / Not applicable
Google Scholar
Authors
Tadeusz Szczepańskikwartalnik.filmowy@ispan.pl
University of Lodz Poland
Krytyk, filmoznawca, wykłada na UŁ i UG. Opublikował m.in. Zwierciadło Bergmana! (1999). Wydał z B. Żyłko antologię tekstów rosyjskiej myśli filmowej Cudowny kinemo (2001).
Statistics
Abstract views: 65PDF downloads: 11
License
Copyright (c) 2004 Tadeusz Szczepański
This work is licensed under a Creative Commons Attribution 4.0 International License.
The author grants the publisher a royalty-free non-exclusive licence (CC BY 4.0) to use the article in Kwartalnik Filmowy, retains full copyright, and agrees to identify the work as first having been published in Kwartalnik Filmowy should it be published or used again (download licence agreement). The journal is published under the CC BY 4.0 licence. By submitting an article, the author agrees to make it available under this licence.
In issues from 105-106 (2019) to 119 (2022) all articles were published under the CC BY-NC-ND 4.0 licence. During this period the authors granted a royalty-free non-exclusive licence (CC BY-ND 4.0) to use their article in „Kwartalnik Filmowy”, retained full copyright, and agreed to identify the work as first having been published in our journal should it be published or used again.
Most read articles by the same author(s)
- Tadeusz Szczepański, “To See Clearly in Delight” , Kwartalnik Filmowy: No. 113 (2021): Film and Technology
- Tadeusz Szczepański, Editorial , Kwartalnik Filmowy: No. 39-40 (2002): Scandinavian Cinema
- Tadeusz Szczepański, 1500 Pages on 120 Years of Polish Documentary Film , Kwartalnik Filmowy: No. 97-98 (2017): Wandering Motifs
- Tadeusz Szczepański, Filmmakers, Priests, Nuns and Secretaries , Kwartalnik Filmowy: No. 56 (2006): Homo Ludens
- Tadeusz Szczepański, On the Borderland Within Auto/Biography: Suzanne Osten’s “Mamma” , Kwartalnik Filmowy: No. 73 (2011): Cinema is Me: Cinematic Autobiographies
- Tadeusz Szczepański, Journey Through Humanity , Kwartalnik Filmowy: No. 73 (2011): Cinema is Me: Cinematic Autobiographies
- Tadeusz Szczepański, The Cinematic Questions of Sense of Life , Kwartalnik Filmowy: No. 52 (2005): British Cinema (part I)
- Tadeusz Szczepański, Watching Alf Sjöberg’s “Miss Julie” , Kwartalnik Filmowy: No. 39-40 (2002): Scandinavian Cinema
- Tadeusz Szczepański, Everything Is a Spectacle , Kwartalnik Filmowy: No. 39-40 (2002): Scandinavian Cinema
- Tadeusz Szczepański, Of an Adventure of a Polish Film Lover , Kwartalnik Filmowy: No. 41-42 (2003): Myth and Film
