Television Palimpsest
Abstract
Kita reflects on the nature of space in modern world. That problem is viewed in a dual way; space is either the object of analysis or the instrument of analysis, and in the latter case it is the cognitive metaphor for culture research. Kita’s analysis deals with the idea of space as conceived of by Deleuze, Burgess, Jameson and Pierre Levy. But Kita’s interest is media-organized space (TV, computer and video), or media space (e.g. computer-generated space) and mediatized space (i.e. transformed according to the possibilities of media technology). The organization of space and the way man exists in it are important determinants of the cultural change.
Keywords:
space, media, TVReferences
Nie dotyczy / Not applicable
Google Scholar
Authors
Barbara Kitakwartalnik.filmowy@ispan.pl
University of Silesia Poland
Adiunkt w Zakładzie Filmoznawstwa i Wiedzy o Mediach UŚ w Katowicach.
Statistics
Abstract views: 624PDF downloads: 247
License
Copyright (c) 2001 Barbara Kita
This work is licensed under a Creative Commons Attribution 4.0 International License.
The author grants the publisher a royalty-free non-exclusive licence (CC BY 4.0) to use the article in Kwartalnik Filmowy, retains full copyright, and agrees to identify the work as first having been published in Kwartalnik Filmowy should it be published or used again (download licence agreement). The journal is published under the CC BY 4.0 licence. By submitting an article, the author agrees to make it available under this licence.
In issues from 105-106 (2019) to 119 (2022) all articles were published under the CC BY-NC-ND 4.0 licence. During this period the authors granted a royalty-free non-exclusive licence (CC BY-ND 4.0) to use their article in „Kwartalnik Filmowy”, retained full copyright, and agreed to identify the work as first having been published in our journal should it be published or used again.
Most read articles by the same author(s)
- Barbara Kita, In a Sequoia Park: Hitchcock/Marker/Godard , Kwartalnik Filmowy: No. 115 (2021): Form Film, Content Film
- Barbara Kita, „Histoire(s) du Cinéma” by JLG: History of the 20th Century, Methodology of Art and Theory of Cinema , Kwartalnik Filmowy: No. 85 (2014): Film and Media – the Past and the Future
- Barbara Kita, Island of Ruins: The Cracked Landscape of Hashima , Kwartalnik Filmowy: No. 114 (2021): Contamination, Dirt, Flaw
- Barbara Kita, Faces and Landscapes: A Reconnaissance , Kwartalnik Filmowy: No. 123 (2023): Pace and Rhythm
- Barbara Kita, In Postcolonial Europe , Kwartalnik Filmowy: No. 95 (2016): Transnational Dimension of Polish Cinema
- Barbara Kita, Groundbreaking Films According to Piotr Zawojski , Kwartalnik Filmowy: No. 66 (2009): Bad Taste Cinema – Good Taste Cinema
Similar Articles
- Mirosław Przylipiak, The Category of System in David Bordwell’s Concept of Film Aesthetics , Kwartalnik Filmowy: No. 115 (2021): Form Film, Content Film
- Ilona Copik, Song of Return: Ecological Temporality and Indigenous Epistemology. “Singing Back the Buffalo” by Tasha Hubbard , Kwartalnik Filmowy: No. 135 (2026): Transience and Old Age
- Agata Ciastoń, Space Confined in That Which Is Visible , Kwartalnik Filmowy: No. 79 (2012): Interiors: On Cinematic Enclosed Space
- Marek Hendrykowski, Experiment in Film and in the Art of the Moving Image , Kwartalnik Filmowy: No. 82 (2013): Experiment: Film and Audiovisual Arts
- Karolina Sikorska, Sandra Frydrysiak, On the Side of Their Heroines: Feminist Documentary Film in Poland in the Second Decade of the 21st Century , Kwartalnik Filmowy: No. 112 (2020): Polish Documentary, Polish Animation
- Ilona Copik, Displaced Identity: Cinema of the PRL and the Problem of the Western Territories , Kwartalnik Filmowy: No. 116 (2021): Cinema and Social Identity
- Kinga Jelińska, Culture and Audio-Visual Experience , Kwartalnik Filmowy: No. 44 (2003): Sound, Music, Word in Film
- Krzysztof Loska, Journey to the New World. Cinematic Ethnographic Fiction in Post-Colonial Perspective , Kwartalnik Filmowy: No. 107 (2019): Journey, (E)migration, Pilgrimage
- Andrzej Gwóźdź, Cinemas on the Road , Kwartalnik Filmowy: No. 54-55 (2006): Film, Photography, Reality
- Maciej Stasiowski, Heathen Camerawork: Crossing the Liminal Border with “The Third Day” Cinematography , Kwartalnik Filmowy: No. 118 (2022): One Take
You may also start an advanced similarity search for this article.
