“The Seven Deadly Sins” by Richard Hobert
Abstract
The seven films (1992-1999) by Hobert refer to typical human vices but do not directly refer to Christian ethics. The key subject of a discourse in his films is the picture of Swedish society. The heroes’ feelings and experiences are put to test. Hobert is mainly preoccupied with a mutual interaction of people. Although Bergman’s poetics and worldview are of importance to Hobert, his reflections are of more horizontal” and secular character.
Keywords:
Richard Hobert, secularism, Swedish cinemaReferences
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Authors
Aleksander Kwiatkowskikwartalnik.filmowy@ispan.pl
independent researcher Poland
Krytyk filmowy, publikuje w prasie szwedzkiej i polskiej. Wieloletni pracownik Szwedzkiego Instytutu Filmowego. Autor książek Swedish Film Classics (Stockholm 1983) i Film skandynawski (Warszawa 1986).
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Copyright (c) 2002 Aleksander Kwiatkowski
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