Filmmakers at the Gates: Artur Żmijewski in Conversation with Łukasz Maciejewski

Łukasz Maciejewski

kwartalnik.filmowy@ispan.pl
independent researcher (Poland)

Abstract

Artur Żmijewski is one of the most controvesial contemporary Polish artists. His work - art installations, films, video works - are not simply works of art, but political acts that have a very strong social and political dimension. In the interview the political and social aspects of Zmijewski’s work and contemporary art in general are explored. Zmijewski talks about omnipresence of ideology, about the critique of late capitalism and about the need to become immersed in contemporary social reality. The artist is not engaged in the problems of representations, but rather he considers the direct impact of the medium on the social and political reality.



Keywords:

Artur Żmijewski, interview, critical art

Nie dotyczy / Not applicable
  Google Scholar


Published
2008-12-31

Cited by

Maciejewski, Łukasz (2008) “Filmmakers at the Gates: Artur Żmijewski in Conversation with Łukasz Maciejewski”, Kwartalnik Filmowy, (64), pp. 185–198. doi: 10.36744/kf.3205.

Authors

Łukasz Maciejewski 
kwartalnik.filmowy@ispan.pl
independent researcher Poland

Filmoznawca, krytyk filmowy związany m.in. z „Dzienni­kiem”, „Filmem”, „Tygodnikiem Powszech­nym”, „Krakowem”, „Teatrem”, „Notatnikiem Teatralnym” i „Dekadą Literacką”; współpra­cownik dydaktyczny UJ i Akademii Pedagogi­cznej w Krakowie.



Statistics

Abstract views: 116
PDF downloads: 15


License

Copyright (c) 2008 Łukasz Maciejewski

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

The author grants the publisher a royalty-free non-exclusive licence (CC BY 4.0) to use the article in Kwartalnik Filmowy, retains full copyright, and agrees to identify the work as first having been published in Kwartalnik Filmowy should it be published or used again (download licence agreement). The journal is published under the CC BY 4.0 licence. By submitting an article, the author agrees to make it available under this licence.

In issues from 105-106 (2019) to 119 (2022) all articles were published under the CC BY-NC-ND 4.0 licence. During this period the authors granted a royalty-free non-exclusive licence (CC BY-ND 4.0) to use their article in „Kwartalnik Filmowy”, retained full copyright, and agreed to identify the work as first having been published in our journal should it be published or used again.