About Post-Soviet, Pre-War Cinema
Denis Viren
denis.viren@gmail.comState Institute for Art Studies in Moscow (Russian Federation)
https://orcid.org/0000-0002-3680-6028
Abstract
A review of the first Polish film studies book constituting a synthesis of post-Soviet cinema. Its author looks at the most important films about working through the Soviet trauma after the collapse of the USSR, and not only analyzes them in detail, but also places them in a broad socio-political context.
Keywords:
Russian cinema, trauma, postmemory, Great TerrorReferences
Gorlewska, P. (2021). Kino postradzieckie. Trauma doświadczenia sowieckiego w rosyjskich filmach fabularnych po 1991 roku. Kraków: Universitas.
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Authors
Denis Virendenis.viren@gmail.com
State Institute for Art Studies in Moscow Russian Federation
https://orcid.org/0000-0002-3680-6028
PhD, film expert and interpreter from Polish into Russian. Head of the Contemporary Western Art Department at the State Institute for Art Studies in Moscow, senior researcher at the Institute of Slavic Studies of the Russian Academy of Sciences. The main subject of his research is the art of Central Europe, particularly Poland. Author of the book Eksperiment v pol’skom kino 1970-h. [Experiment in Polish Cinema of the 1970s] (2018) and co-author of the book YA mogu govorit’. Kino i muzyka ottepeli [I Can Speak: Cinema and Music of the Thaw] (2020). He teaches film history at various universities and regularly participates in academic conferences in Russia and Poland; he has served as a juror at Russian and international film festivals.
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