Writing About Film as a (Neglected) Field of Study
Abstract
A book review of a volume Polskie piśmiennictwo filmowe [The Polish Film Writing] (2013), edited by Piotr Zwierzchowski and Barbara Giza provokes the reviewer to make some general comments on the unfulfilled duties of contemporary film studies, which should pay more attention to what was written on film in the past, especially on film reception. At the same time an overview of the volume is presented, and the book appears to deal well with this shortcoming of the discipline.
Keywords:
Piotr Zwierzchowski, Barbara Giza, film receptionReferences
Zwierzchowski, Piotr, Barbara Giza (red.). 2013. Polskie piśmiennictwo filmowe. Bydgoszcz
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Authors
Tadeusz Lubelskikwartalnik.filmowy@ispan.pl
Jagiellonian University Poland
Historyk i krytyk filmu, profesor zwyczajny w Instytucie Sztuk Audiowizualnych Uniwersytetu Jagiellońskiego, kierownik Katedry Historii Filmu Polskiego tamże. Opublikował m.in. książki: Strategie autorskie w polskim filmie fabularnym 1945-1961 (1992, wyd. II: 2000), Nowa Fala. O pewnej przygodzie kina francuskiego (2000), Wajda (2006), Historia kina polskiego. Twórcy, filmy, konteksty (2009), Historia niebyła kina PRL (2012). Redaktor pierwszej polskiej Encyklopedii kina (2003, wyd. II: 2010); współredaktor Historii kina – tom I: Kino nieme (2009), tom II: Kino klasyczne (2011). Członek Europejskiej Akademii Filmowej, ekspert PISF, członek Komitetu Nauk o Sztuce PAN (w latach 2007-2011 jego przewodniczący).
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