Butterkinder – Austrian Episode in the History of European Children

Beata Kosińska-Krippner

kwartalnik.filmowy@ispan.pl
Institute of Art, Polish Academy of Sciences (Poland)

Abstract

By sketching the Situation of Austria after 1945, and by referring to the film Butterkinder - Über­leben nach dem Krieg. Kinderverschickung aus Österreich 1945-1950 (directed by Alois Hawlik) the author recalls generally little-known episode in the history of Austria concerning the But­terkinder, the children sent abroad from Austria after the war to regain their strength and faith in a better world. From 1945 onwards, families from Switzerland, Belgium, Ireland, Denmark, the Netherlands, Sweden, Norway, Spain, Portugal and Hungary took in from around 80 000 to over 100 000 Austrian children. Some of them remained forever with their new guardians. The author points out that the film presents the post-war period not in terms of the winners or the losers, but from the point of view of the “butter children”, who, for the first time are given the chance to speak, and restore to the world and the Austrians the memory of this event, and recall the occasion of one of the first post-war European humanitarian actions, which left a trail across borders and was a demonstration of European solidarity long before the unification of Europe.



Keywords:

Alois Hawlik, Butterkinder, Austrian cinema

Maisel-Schulz Christine, Kinderlandverschickungen österreichischer Kinder nach Spanien in den Mangeljahren nach dem Zweiten Weltkrieg, Universität Wien 2010.
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Verschickt in die Schweiz. Kriegskinder entdecken eine bessere Welt, red. A. Partl, W. Pohl, Böhlau Verlag, Wien 2005.
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Published
2013-03-31

Cited by

Kosińska-Krippner, B. (2013) “Butterkinder – Austrian Episode in the History of European Children”, Kwartalnik Filmowy, (81), pp. 104–116. doi: 10.36744/kf.2771.

Authors

Beata Kosińska-Krippner 
kwartalnik.filmowy@ispan.pl
Institute of Art, Polish Academy of Sciences Poland

Pracuje w Zakładzie Antropologii Kultury, Filmu i Sztuki Audiowizualnej w Instytucie Sztuki Polskiej Akademii Nauk; zajmuje się teorią i historią filmu i telewizji; redaktorka “Kwartalnika Filmowego”, w którym w latach 1993-2005 publikowała m.in. doroczną kronikę wydarzeń filmowych, obejmującą lata 1992-2002. Autorka pracy doktorskiej pt. Poetyka polskiej telenoweli dokumentalnej (2008), napisanej pod kierunkiem prof. Marka Hendrykowskiego.



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Copyright (c) 2013 Beata Kosińska-Krippner

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