Some Remarks on Space in Japanese Films

Krzysztof Loska

kwartalnik.filmowy@ispan.pl
Jagiellonian University (Poland)

Abstract

The article presents the way space is used and arranged in Japanese films. The differences between Japanese and European art (for example in how objects are perceived, the role of perspective, the relation between the surface and the depth of the image, and the relationship between the center of an image and its borders) are reflected in how film images are constructed. The author points out certain key elements of image construction in Japanese cinematography. Kenji Mizoguchi, Yasujirö Ozu and Akira Kurosawa, tried to develop their own rules of building visual space, and who used perspective system used in traditional paintings.



Keywords:

Kenji Mizoguchi, Yasujiro Ozu, Akira Kurosawa, Japanese cinema, space

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Published
2009-03-31

Cited by

Loska, K. (2009) “Some Remarks on Space in Japanese Films”, Kwartalnik Filmowy, (65), pp. 189–196. doi: 10.36744/kf.3180.

Authors

Krzysztof Loska 
kwartalnik.filmowy@ispan.pl
Jagiellonian University Poland

Profesor UJ. Autor m.in. En­cyklopedii filmu science fiction (2004), Tożsamości i mediów (2006). Współautor (z Andrzejem Pitrusem) książek: 100 filmów science fiction (2000) i David Cronenberg: rozpad ciała, rozpad gatunku (2003).



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Copyright (c) 2009 Krzysztof Loska

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