Film Censorship After the Wisła Congress
Anna Misiak
kwartalnik.filmowy@ispan.plInstitute of Philosophy and Sociology, Polish Academy of Sciences (Poland)
Abstract
Misiak thoroughly portrays mechanisms of the functioning of film censorship in the Polish People’s Republic after the Wisła congress which set artistic and ideological directives for Polish film makers until a 1956 thaw. Misiak presents the ways in which the party apparatus controlled Poland’s cinematic production, and related problems film directors and screenwriters faced.
Keywords:
Wisła Congress, censorship, Polish People's RepublicReferences
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Authors
Anna Misiakkwartalnik.filmowy@ispan.pl
Institute of Philosophy and Sociology, Polish Academy of Sciences Poland
Absolwentka polonistyki i amerykanistyki UW, doktorantka w Szkole Nauk Społecznych IFiS PAN w Warszawie. Stypendystka Fundacji Fullbrighta w School of Cinema-Television, University of Southern California w Los Angeles.
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Copyright (c) 2003 Anna Misiak
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In issues from 105-106 (2019) to 119 (2022) all articles were published under the CC BY-NC-ND 4.0 licence. During this period the authors granted a royalty-free non-exclusive licence (CC BY-ND 4.0) to use their article in „Kwartalnik Filmowy”, retained full copyright, and agreed to identify the work as first having been published in our journal should it be published or used again.
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