Self-Animated Portrait
Abstract
The essay on self-portrait in movies. Giżycki argues that we can only deal with the genuine unquestioned self-portrait in the traditional meaning of the word in animated cartoons. They help create the situation in which a film director him/herself paints, draws or sculpts and in the end animates him/herself. The most interesting animated self-portraits have been created by women. Through animation women directors enter the world of their desires and fantasies. According to Giżycki, animation adds an extra dimension (time) to the classic self-portrait executed by a painter.
Keywords:
animation, self-portrait, timeReferences
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Authors
Marcin Giżyckikwartalnik.filmowy@ispan.pl
Rhode Island School of Design United States
Krytyk i historyk sztuki, autor książek z dziedziny historii filmu i zjawisk współczesnej kultury artystycznej. Wykładowca w Rhode Island School of Design w Stanach Zjednoczonych. Autor książek m. in. Postmodernizm - kultura wyczerpania (1988), Film w kręgu polskiej awangardy artystycznej dwudziestolecia międzywojennego (1996), Nie tylko Disney (2000).
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Copyright (c) 2001 Marcin Giżycki
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In issues from 105-106 (2019) to 119 (2022) all articles were published under the CC BY-NC-ND 4.0 licence. During this period the authors granted a royalty-free non-exclusive licence (CC BY-ND 4.0) to use their article in „Kwartalnik Filmowy”, retained full copyright, and agreed to identify the work as first having been published in our journal should it be published or used again.
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