From Near and Far
Piotr Pławuszewski
kapral.klegg@gmail.comAdam Mickiewicz University in Poznań (Poland)
https://orcid.org/0000-0002-1091-7010
Abstract
Michał Piepiórka’s book Rockefellerowie i Marks nad Warszawa. Polskie filmy fabularne wobec transformacji gospodarczej [The Rockefellers and Marx over Warsaw: Polish Feature Films Vis-a-vis the Economic Transformation] (2019) is reviewed as an inspiring and competent attempt to investigate how domestic feature movies (from the period of 1989 to 2013) reflected Polish reality after 1989 (i.e. the time of political transformation). The reviewer presents Piepiórka’s methodological premises, specifies his adequately restricted thematic interests (which revolve around economic issues) and offers some bibliographic suggestions. Piepiórka’s decision to abandon the aesthetic evaluation of the movies (in favour of a rigorous interpretation of all works that seem relevant for his research task) is considered as one of the most important merits of his book.
Keywords:
transformation, economics, capitalism, free market, Polish feature filmReferences
Geertz, C. (2005). Interpretacja kultur: wybrane eseje (tłum. M. M. Piechaczek). Kraków: Wydawnictwo Uniwersytetu Jagiellońskiego.
Google Scholar
Jachymek, K. (2012). Szczenięcy kapitalizm. Portret dziecka w filmach Waldemara Szarka. W: A. Ossowska-Zwierzchowska (red.), Zobaczyć dziecko. Literackie i filmowe portrety dziecka w Polsce w XX wieku (ss. 199-216). Bydgoszcz: Wydawnictwo Uniwersytetu Kazimierza Wielkiego.
Google Scholar
Kosterska, A. (2015). Czarny scenariusz. Strategie obrazowania potransformacyjnego Górnego Śląska w „Sercu z węgla” i „Benku”. Teksty Drugie, (6), ss. 229-244.
Google Scholar
Leder, A. (2011). Lata 90.: co symbolizowały „Psy”. Dwutygodnik, (58). https://www.dwutygodnik.com/artykul/2273-lata-90-co-symbolizowaly-psy.html
Google Scholar
Osiatyński, W. (2004). Rzeczpospolita obywateli. Warszawa: Rosner & Wspólnicy.
Google Scholar
Piepiórka, M. (2019). Rockefellerowie i Marks nad Warszawą. Polskie filmy fabularne wobec transformacji gospodarczej. Wrocław: Wydawnictwo Ossolineum.
Google Scholar
Puto, K. (2016). Film jako „chłopiec z Marriotta”. Ideologia kina polskiej transformacji (1987-2005) – praca magisterska (niepublikowana). https://www.academia.edu/28-430290/Film_jako_ch%C5%82opiec_z_Marriotta_._Ideologia_kina_polskiej_transformacji_1987_2005_
Google Scholar
Walas, T. (2003). Zrozumieć swój czas. Kultura polska po komunizmie: rekonesans. Kraków: Wydawnictwo Literackie.
Google Scholar
Authors
Piotr Pławuszewskikapral.klegg@gmail.com
Adam Mickiewicz University in Poznań Poland
https://orcid.org/0000-0002-1091-7010
He holds a PhD degree and works in the Institute of Film, Media and Audiovisual Arts at Adam Mickiewicz University in Poznan. His academic interests revolve mostly around the documentary film and the history of Polish cinema. He is the author of the monograph Po swojemu. Kino Władysława Ślesickiego [One’s Own Way: Władysław Ślesicki and His Body of Work] (2017), co-editor of Pogranicza dokumentu [Borders of Documentary Film] (2012) and the monographic issue of Images. The International Journal of European Film, Performing Arts and Audiovisual Communication (2018, vol. XXIV): Kieślowski Revisited (and Re-watched). His articles and essays were published in Kwartalnik Filmowy, Images, Ekrany, Kino, Film & TV Kamera.
Statistics
Abstract views: 281PDF downloads: 213
License
Copyright (c) 2020 Piotr Pławuszewski
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
The author grants the publisher a royalty-free non-exclusive licence (CC BY 4.0) to use the article in Kwartalnik Filmowy, retains full copyright, and agrees to identify the work as first having been published in Kwartalnik Filmowy should it be published or used again (download licence agreement). The journal is published under the CC BY 4.0 licence. By submitting an article, the author agrees to make it available under this licence.
In issues from 105-106 (2019) to 119 (2022) all articles were published under the CC BY-NC-ND 4.0 licence. During this period the authors granted a royalty-free non-exclusive licence (CC BY-ND 4.0) to use their article in „Kwartalnik Filmowy”, retained full copyright, and agreed to identify the work as first having been published in our journal should it be published or used again.
Most read articles by the same author(s)
- Piotr Pławuszewski, We're Here Together. On Wojciech Staroń's Documentary “Bracia” , Kwartalnik Filmowy: No. 112 (2020): Polish Documentary, Polish Animation
- Piotr Pławuszewski, Over One Hundred Years of Neighbourhood , Kwartalnik Filmowy: No. 87-88 (2014): Film and Theatre
- Piotr Pławuszewski, The Cinema of "Big Beat": Polish Rock Music in Polish Documentary Films of the 1960s and 1970s , Kwartalnik Filmowy: No. 91 (2015): Film Between Pop Music and Pop Culture
