Built as Rain. Film Analysis of Unbuildable Architectural Speculations – a Case Study of „Instant City” (dir. Peter Cook and Ron Herron, 1968) and „The Zero Theorem” (dir. Terry Gilliam, 2013)

Maciej Stasiowski

zibi46@tlen.pl
independent researcher (Poland)
https://orcid.org/0000-0003-3123-6027

Abstract

The introduction of time-based media into the design stage opened up a new understanding of architectural and represented space as a dematerialized, dynamic, and user-dependent concept. Unbuildable architectural projects always relied on specific techniques and media. Their radical nature usually channelled innovative artistic currents and visualization tools, like collage and pop art aesthetics in the works of Archigram. Cinema is yet another ground for such deliberations. With Instant City (Archigram’s Peter Cook and Ron Herron) and The Zero Theorem (Terry Gilliam) the problem of dematerialization is being channelled by architectural/spatial proposals that involve a range of literary tropes, cultural texts, and filmic intertexts, in order to create a rich embroidery of references that forward a new look upon architectural production as a practice of creating protocols for dynamic and all the more elusive imagery. This article’s central objective lies in the task of reframing a discussion on iconicity, media facades, and mutative building skins, so as to include modes of cinematic portrayal that are not just contents of architectural “messages”, but also their “media”.


Keywords:

architecture, Archigram, Terry Gilliam, space representation

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Published
2020-05-25

Cited by

Stasiowski, M. (2020) “Built as Rain. Film Analysis of Unbuildable Architectural Speculations – a Case Study of „Instant City” (dir. Peter Cook and Ron Herron, 1968) and „The Zero Theorem” (dir. Terry Gilliam, 2013)”, Kwartalnik Filmowy, (109), pp. 159–176. doi: 10.36744/kf.279.

Authors

Maciej Stasiowski 
zibi46@tlen.pl
independent researcher Poland
https://orcid.org/0000-0003-3123-6027

PhD in arts and humanities; graduate of the Institute of Audiovisual Arts at the Faculty of Management and Social Communication, Jagiellonian University in Krakow. His academic interests include time-based techniques of audiovisual representation (live action and animated film, installation art, new media), and their role in experimental architectural projects. He published articles in ARCH, Ekrany, TransMissions and Kultura i Historia; the author of a book on Peter Greenaway’s literary influences entitled Atlas rzeczy niestałych [The Atlas of All Things Inconstant] (2014).



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