Corpse Groom: Films of Tim Burton
Abstract
Tim Burton is one of the most interesting American film directors. The driving force of his films is the use of pastiche and irony, the elevation and sublimation of the kitsch and the camp, and the use of quotes and allusions. At the same time Burton displays an incredible consequence in his themes, questions and obsessions. Maciejewski points to the originality of Burton the director, who uses pop-culture in order to play an intelligent game of multiple meanings. According to Maciejewski Burton is, in the contemporary cinema, a seller of myths that lie in the rubbish dump of pop-culture. But in the hands of the maker of Beetlejuice they are always combined with clever literary, philosophical and psychological allusions.
Keywords:
Tim Burton, pastiche, irony, kitsch, campReferences
Burton Tim, Burton on Burton, Faber & Faber, London 2000, s. 7.
Google Scholar
Burton Tim, The Melancholy Death of Oyster Boy, Faber & Faber, London 2004.
Google Scholar
Gomulicki Maurycy, W poszukiwaniu straconego stylu. Tim Burton: znana estetyka – nowa wrażliwość, „Machina” 1997, nr 6, s. 67.
Google Scholar
Kornatowska Maria, Demiurg melancholijny i anarchiczny. O twórczości Tima Burtona, „Kino” 2000, nr 4, s. 17.
Google Scholar
Kornatowska Maria, Rozmyślania przy makijażu. Życie codzienne Nowego Jorku, Instytut Wydawniczy Latarnik, Michałów – Grabina 2007, s. 38.
Google Scholar
Mazierska Ewa, Profanacja w rytmie rocka, „Kino” 1993, nr 11, s. 25.
Google Scholar
Ziębiński Robert, Tim w krainie czarów, „Newsweek” 2008, nr 8, s. 101.
Google Scholar
Authors
Łukasz Maciejewskikwartalnik.filmowy@ispan.pl
independent researcher Poland
Dziennikarz, krytyk filmowy i teatralny, nauczyciel akademicki, współpracownik kilkunastu czasopism (m.in. „Tygodnika Powszechnego”, „Filmu”, „Dziennika”, „Teatru”, „Magazynu Filmowego SFP”, „Dekady Literackiej”, „Notatnika Teatralnego”, „Krakowa” i „Machiny”); publikuje również na łamach „Dialogu” (Niemcy) i „Nowaja Polsza”, oraz w portalach „Dwutygodnik” i „Filmweb”. W 2009 roku opublikował Przygodę mysli - wybór autorskich rozmów z czołowymi twórcami polskiego kina i teatru.
Statistics
Abstract views: 33PDF downloads: 26
License
Copyright (c) 2009 Łukasz Maciejewski

This work is licensed under a Creative Commons Attribution 4.0 International License.
The author grants the publisher a royalty-free non-exclusive licence (CC BY 4.0) to use the article in Kwartalnik Filmowy, retains full copyright, and agrees to identify the work as first having been published in Kwartalnik Filmowy should it be published or used again (download licence agreement). The journal is published under the CC BY 4.0 licence. By submitting an article, the author agrees to make it available under this licence.
In issues from 105-106 (2019) to 119 (2022) all articles were published under the CC BY-NC-ND 4.0 licence. During this period the authors granted a royalty-free non-exclusive licence (CC BY-ND 4.0) to use their article in „Kwartalnik Filmowy”, retained full copyright, and agreed to identify the work as first having been published in our journal should it be published or used again.
Most read articles by the same author(s)
- Łukasz Maciejewski, A Flashlight Pen: Jerzy Płażewski (1924-2015) , Kwartalnik Filmowy: No. 91 (2015): Film Between Pop Music and Pop Culture
- Łukasz Maciejewski, An Adventure of a Thinking Person , Kwartalnik Filmowy: No. 96 (2016): Film and Metaphysics
- Łukasz Maciejewski, And the Ship Sails On: Maria Kornatowska (1935-2011) – Obituary , Kwartalnik Filmowy: No. 74 (2011): Film Objects
- Łukasz Maciejewski, Sorceress of Things: Albina Barańska in Conversation with Łukasz Maciejewski , Kwartalnik Filmowy: No. 74 (2011): Film Objects
- Łukasz Maciejewski, How Are We to Live , Kwartalnik Filmowy: No. 67-68 (2009): Film History