“Destiny Carried Me...”: Andrzej Dybczak in Conversation with Karolina Dudek and Sławomir Sikora
Karolina Dudek
kwartalnik.filmowy@ispan.plInstitute of Philosophy and Sociology. Polish Academy of Sciences (Poland)
Sławomir Sikora
University of Warsaw (Poland)
Abstract
Gugara by Andrzej Dybczak and Jacek Nagłowski is a very interesting, unhurried narration about Eveneks, an indigenous people of Siberia. The film won a number of important prizes at documentary film festivals, and is considered by some to be an anthropological film. In the interview Dybczak talks about various ideas and solutions employed in the documentary, his approach to filming and the use of colour. He also considers the documentary in the context of anthropological cinema.
Keywords:
Andrzej Dybczak, Jacek Nagłowski, Siberia, interviewReferences
Nie dotyczy / Not applicable
Google Scholar
Authors
Karolina Dudekkwartalnik.filmowy@ispan.pl
Institute of Philosophy and Sociology. Polish Academy of Sciences Poland
Doktorantka SNS IFiS PAN, absolwentka zarządzania (SGH) i stosunków miedzynarodowych (SGH); studiowała także etnologię (licencjat, UW). Zajmuje się antropologią zarządzania i wizualnością w kulturze.
Authors
Sławomir SikoraUniversity of Warsaw Poland
Adiunkt w Instytucie Etnologii i Antropologii Kulturowej (UW), gdzie prowadzi zajęcia z zakresu antropologii wizualnej i refleksyjnej. Autor książki Fotografia. Między dokumentem a symbolem (2004). Publikował m. in. w „Kontekstach”, „Kwartalniku Filmowym”, „Czasie Kultury”, „Roczniku Historii Sztuki”, „Dialogu”, „Latarniku”. Współpraca przy wystawach: Malinowski - Witkacy. Fotografia: między nauką w sztuką (2000) oraz Nostalgia urzeczywistniona. Afryka w fotografiach Kazimierza Zagórskiego (2005). Tłumacz lub współtłumacz książek J. Bergera, O patrzeniu (1999), C. Geertza, Dzieło i Życie. Antropolog jako autor (2000), J. Clifforda, Kłopoty z kulturą. Dwudziestowieczną etnografia, literatura i sztuka (2000).
Statistics
Abstract views: 10PDF downloads: 5
License
Copyright (c) 2008 Karolina Dudek, Sławomir Sikora
This work is licensed under a Creative Commons Attribution 4.0 International License.
The author grants the publisher a royalty-free non-exclusive licence (CC BY 4.0) to use the article in Kwartalnik Filmowy, retains full copyright, and agrees to identify the work as first having been published in Kwartalnik Filmowy should it be published or used again (download licence agreement). The journal is published under the CC BY 4.0 licence. By submitting an article, the author agrees to make it available under this licence.
In issues from 105-106 (2019) to 119 (2022) all articles were published under the CC BY-NC-ND 4.0 licence. During this period the authors granted a royalty-free non-exclusive licence (CC BY-ND 4.0) to use their article in „Kwartalnik Filmowy”, retained full copyright, and agreed to identify the work as first having been published in our journal should it be published or used again.
Most read articles by the same author(s)
- Sławomir Sikora, “Nie sądzić” and “Wielki strach”: Two Short but Important Films , Kwartalnik Filmowy: No. 112 (2020): Polish Documentary, Polish Animation
- Sławomir Sikora, Beyond Form and Content: Towards Materiality , Kwartalnik Filmowy: No. 115 (2021): Form Film, Content Film
- Sławomir Sikora, Rouch and His Gang on the Paths of Decolonization , Kwartalnik Filmowy: No. 128 (2024): Decolonizing Film Discourses
- Sławomir Sikora, Michael Haneke’s “Love” From Another Angle: Aporia of Corporeality , Kwartalnik Filmowy: No. 83-84 (2013): Body in Film
- Sławomir Sikora, Michael Haneke’s “Cache” (“Hidden”) as an Experimental Performative “Documentary” , Kwartalnik Filmowy: No. 82 (2013): Experiment: Film and Audiovisual Arts
- Sławomir Sikora, Avant-Garde and Tradition in the Shadow of Terrorism: Transcultural Cinema of Leonard Retel Helmrich , Kwartalnik Filmowy: No. 70 (2010): Avant-Garde and Film
- Sławomir Sikora, Coloured Threads: “The Stitches Speak” , Kwartalnik Filmowy: No. 74 (2011): Film Objects
- Sławomir Sikora, Polish Wedding AD 1968 With a Gray Man in the Background: Performing History in “Hear My Cry” , Kwartalnik Filmowy: No. 100 (2017): On Celebrating
- Sławomir Sikora, Living Memorials: Memory and Forgetting in the Film “Gyumri” , Kwartalnik Filmowy: No. 69 (2010): History in Film
- Sławomir Sikora, Dennis O’Rourke’s “Cannibal Tours” – Does Observational Film Need to Be Realistic? , Kwartalnik Filmowy: No. 75-76 (2011): Faces of Reality
