Eyes Wide Open
Abstract
The text has been written to present to the Polish reader Anna Grimshaw’s book The Ethnographer’s Eye. Ways of Seeing in Modern Anthropology (2001). Grimshaw discusses three important styles (figures) in the anthropological cinema, Jean Rouch, David and Judith MacDougall and Melissa Llewelyn-Davis. Of special importance is the fact that the analysis of the separate styles and profiles of filmmaking is preceded by her attempt to look into visualisation in anthropology and show coincidences of some phenomena in film (not only ethnographic film) with the discipline in the broad sense of the word. Grimshaw puts strong emphasis on the importance of vision for modern anthropology, and the book is one of more interesting and important critical comments in a revival of modern visual anthropology.
Keywords:
Anna Grimshaw, etnography, reviewReferences
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Authors
Sławomir Sikorakwartalnik.filmowy@ispan.pl
University of Warsaw Poland
Adiunkt w Instytucie Etnologii i Antropologii Kulturowej (UW), autor książki Fotografia. Między dokumentem a symbolem (2004). Publikował m. in. w „Kontekstach”, „Kwartalniku Filmowym”, „Czasie Kultury”, „Roczniku Historii Sztuki”, „Dialogu”, „Latarniku”.
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Copyright (c) 2004 Sławomir Sikora
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In issues from 105-106 (2019) to 119 (2022) all articles were published under the CC BY-NC-ND 4.0 licence. During this period the authors granted a royalty-free non-exclusive licence (CC BY-ND 4.0) to use their article in „Kwartalnik Filmowy”, retained full copyright, and agreed to identify the work as first having been published in our journal should it be published or used again.
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