“Matrix”: Correction of the Manifestation of Cyberpunk Culture According to the Wachowski Brothers

Joanna Spalińska-Mazur

kwartalnik.filmowy@ispan.pl
Jagiellonian University (Poland)

Abstract

The article is an analysis of the famous film Matrix by Andy and Larry Wachowski against the background of „cyberpunk culture”. Spalińska-Mazur recalls that the culture is the product of a climate of the 1980s. The symbol of the movement are mirror sunglasses; and the themes all artists share include motifs of an interference into human body and mind. Spalińska-Mazur says the film has explicated and shown what cyberpunk produced, i.e. a state of being lost in man-created reality. But in her opinion, the film inculcates in us a fortifying belief that machines will never be able to understand man’s nature because they cannot get to know the nature of being. Duration is the guarantee of freedom.



Keywords:

cyberpunk, Wachowski siblings, technology

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Published
2000-12-31

Cited by

Spalińska-Mazur, J. (2000) “‘Matrix’: Correction of the Manifestation of Cyberpunk Culture According to the Wachowski Brothers”, Kwartalnik Filmowy, (31-32), pp. 206–214. doi: 10.36744/kf.4212.

Authors

Joanna Spalińska-Mazur 
kwartalnik.filmowy@ispan.pl
Jagiellonian University Poland

Absolwentka Uniwersytetu Jagiel­lońskiego. W 1998 roku obroniła pracę doktorską pt. Casus Aleksan­dra Sroczyńskiego w polskim autor­skim filmie animowanym lat 80.



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Copyright (c) 2000 Joanna Spalińska-Mazur

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