Camera Lucida: Photography and Remembrance
Abstract
Roland Barthes was interested in Proust all his life. But this was not only a „scholarly” interest. Citing Barthes’s own words, one could rather say that he had lived in a Proust world. The French critic’s last book La chambre claire. Note sur la photographie (1980) is an example of this statement. Starting from the stand close to Proust’s opinion that photography would be some kind of „frozen” external „remembrance of facts”, Barthes goes beyond this stance. The text is a detailed analysis of coincidences of the experiences.
Keywords:
Roland Barthes, Marcel Proust, memoryReferences
Nie dotyczy / Not applicable
Google Scholar
Authors
Sławomir Sikorakwartalnik.filmowy@ispan.pl
University of Warsaw Poland
Adiunkt w Instytucie Etnologii i Antropologii Kulturowej (UW). Publikował m.in. w „Kontekstach”, „Kwartalniku Filmowym”, „Czasie Kultury”, „Roczniku Historii Sztuki”, „Dialogu” i „Latarniku”.
Statistics
Abstract views: 0PDF downloads: 0
License
Copyright (c) 2000 Sławomir Sikora
This work is licensed under a Creative Commons Attribution 4.0 International License.
The author grants the publisher a royalty-free non-exclusive licence (CC BY 4.0) to use the article in Kwartalnik Filmowy, retains full copyright, and agrees to identify the work as first having been published in Kwartalnik Filmowy should it be published or used again (download licence agreement). The journal is published under the CC BY 4.0 licence. By submitting an article, the author agrees to make it available under this licence.
In issues from 105-106 (2019) to 119 (2022) all articles were published under the CC BY-NC-ND 4.0 licence. During this period the authors granted a royalty-free non-exclusive licence (CC BY-ND 4.0) to use their article in „Kwartalnik Filmowy”, retained full copyright, and agreed to identify the work as first having been published in our journal should it be published or used again.
Most read articles by the same author(s)
- Sławomir Sikora, “Nie sądzić” and “Wielki strach”: Two Short but Important Films , Kwartalnik Filmowy: No. 112 (2020): Polish Documentary, Polish Animation
- Sławomir Sikora, Beyond Form and Content: Towards Materiality , Kwartalnik Filmowy: No. 115 (2021): Form Film, Content Film
- Sławomir Sikora, Rouch and His Gang on the Paths of Decolonization , Kwartalnik Filmowy: No. 128 (2024): Decolonizing Film Discourses
- Sławomir Sikora, Michael Haneke’s “Love” From Another Angle: Aporia of Corporeality , Kwartalnik Filmowy: No. 83-84 (2013): Body in Film
- Sławomir Sikora, Michael Haneke’s “Cache” (“Hidden”) as an Experimental Performative “Documentary” , Kwartalnik Filmowy: No. 82 (2013): Experiment: Film and Audiovisual Arts
- Sławomir Sikora, Avant-Garde and Tradition in the Shadow of Terrorism: Transcultural Cinema of Leonard Retel Helmrich , Kwartalnik Filmowy: No. 70 (2010): Avant-Garde and Film
- Sławomir Sikora, Coloured Threads: “The Stitches Speak” , Kwartalnik Filmowy: No. 74 (2011): Film Objects
- Sławomir Sikora, Polish Wedding AD 1968 With a Gray Man in the Background: Performing History in “Hear My Cry” , Kwartalnik Filmowy: No. 100 (2017): On Celebrating
- Sławomir Sikora, Living Memorials: Memory and Forgetting in the Film “Gyumri” , Kwartalnik Filmowy: No. 69 (2010): History in Film
- Sławomir Sikora, Dennis O’Rourke’s “Cannibal Tours” – Does Observational Film Need to Be Realistic? , Kwartalnik Filmowy: No. 75-76 (2011): Faces of Reality
