No. 53 (2006): British Cinema (part II)

No. 53 (2006): British Cinema (part II)

Scientific collaboration: dr Ewa Mazierska

The production of the issue was co-financed by the Polish Film Institute.

Editorial

Teresa Rutkowska

published: 2006-03-31

PDF (Język polski)

Questions of Identity

“The Winning Post Is No End...”: Tony Richardson - “The Loneliness of the Long Distance Runner”

Krzysztof Lipka

6-26

published: 2006-03-31

PDF (Język polski)

Whose Britain Is This? Lindsay Anderson and Derek Jarman or the Marriage of the Rebellion and the Conservatism

Karolina Kosińska

27-50

published: 2006-03-31

PDF (Język polski)

In Quest for a Language

Ken Russell: A Look at the Artist’s Biography

Sylwia Kołos

52-59

published: 2006-03-31

PDF (Język polski)

Terence Davies’ Palimpsest: “Distant Voices, Still Lives”

Michał Oleszczyk

60-66

published: 2006-03-31

PDF (Język polski)

Touching Death with Images – The Need for Sense: “The Hit” by Stephen Frears

Waldemar Frąc

67-71

published: 2006-03-31

PDF (Język polski)

To Include Yourself in the Film: A Conversation with Mike Figgis

Maria Pudłowska

72-80

published: 2006-03-31

PDF (Język polski)

New Technologies, New Possibilities

“Painting by Windows” or “mise-en-page” Aesthetics in Peter Greenaway’s Films

Konrad Chmielecki

82-99

published: 2006-03-31

PDF (Język polski)

Mechanics and Anatomy: Chris Cunningham’s Videoclips and Installations

Agnieszka Kamrowska

100-112

published: 2006-03-31

PDF (Język polski)

One Film, Three Looks. Nicolas Roeg’s “Don’t Look Now”

Initiation and Death: Nicolas Roeg’s Obsessions

Anna Taszycka

114-126

published: 2006-03-31

PDF (Język polski)

Premonition of Meaning: The Opening Sequence of “Don't Look Now”

Andrzej Pitrus

127-132

published: 2006-03-31

PDF (Język polski)

The Observer Inside the Circle of Death

Joanna Spalińska-Mazur

133-140

published: 2006-03-31

PDF (Język polski)

Polish Traces

The Stranger Inside Me, the Foreigner Among Us: Emigrant’s Experience in Jerzy Skolimowski British Films (“Moonlighting” and “Success Is the Best Revenge”)

Konrad Klejsa

142-157

published: 2006-03-31

PDF (Język polski)

Paweł Pawlikowski’s Journeys: Television, Cinema and Kinesthetics

Dorota Ostrowska

158-171

published: 2006-03-31

PDF (Język polski)

The Last Resort “of an Eastern European Refugee by Mistake”: The Cinema Under the Laws of Hospitality and Representation

Katarzyna Murawska-Muthesius

172-185

published: 2006-03-31

PDF (Język polski)

The Eye and the Ear

The Artist Who Reconciled Two Opposites: Nam June Paik (1932-2006)

Marcin Giżycki

186-189

published: 2006-03-31

PDF (Język polski)

Varia

Tacit Attitude: Aleksandra Zagańczyk Talks with Andrzej Wajda

Aleksandra Zagańczyk

190-201

published: 2006-03-31

PDF (Język polski)

Books on Film

Intuition and Knowledge

Alicja Helman

202-204

published: 2006-03-31

PDF (Język polski)

After Hitchcock: In the Margins of “Hitchcock/Truffaut”, the Book Translated and Edited by Tadeusz Lubelski

Łukasz Maciejewski

205-211

published: 2006-03-31

PDF (Język polski)

Farewell

The Ghost of Goto

Daniel Bird

212-217

published: 2006-03-31

PDF (Język polski)

Table of Contents in French

Teresa Rutkowska

224

published: 2006-03-31

PDF (Język polski)

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The project Publishing of “Kwartalnik Filmowy” in 2025 in paper version is financially supported by the Polish Film Institute under the operational program “Dissemination of film culture”. Agreement no. DUK.602.3.2025. Project duration: 2.01.2025-16.01.2026. The total funding value is PLN 26 000.

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The journal has been financially supported by the Ministry of Education and Science of the Republic of Poland under the “Development of scientific journals” program. Project name: Internationalization and improvement of the publishing quality of the journal “Kwartalnik Filmowy”. Agreement no. RCN/SN/0685/2021/1 of 15 December 2022. Project duration: 15.12.2022-14.12.2024. The total funding value: PLN 50 000; the total value of the project: PLN 50 000. The aim of the project was to raise the level of publishing and editing practices and to increase the international range of the journal Kwartalnik Filmowy.