No. 95 (2016): Transnational Dimension of Polish Cinema

The production of the issue was co-financed by the Polish Film Institute.

Editorial

Teresa Rutkowska

published: 2016-09-30

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Cosmopolitans

Music Without Borders? Henryk Wars’ Music Activity During the War and After

Iwona Sowińska

6-18

published: 2016-09-30

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Żuławski in Grand Guignol

Grażyna Stachówna

19-26

published: 2016-09-30

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Universe Without Borders: Walerian Borowczyk’s Transnational Cinema

Iwona Kolasińska-Pasterczyk

27-39

published: 2016-09-30

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Urszula Antoniak: The Condition of the Nomad

Ewa Szponar

40-50

published: 2016-09-30

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Polish, Non-Polish

Universalism and Ethnocentrism in Polish Cinema

Marek Hendrykowski

52-60

published: 2016-09-30

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Cameramen in Tsarist Uniforms: Polish Cinematographers as the Best in the Military-Cinematographic Branch of the Skobelev Committee (1913-1917)

Mariusz Guzek

61-70

published: 2016-09-30

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The Taste of the Orient and Other Pleasures: The Role of Adventure and Marine Films in the Propaganda of the Polish Second Republic

Adam Uryniak

71-83

published: 2016-09-30

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Polish Actors in the Films of DEFA in the Last Twenty Five Years of the Existence of the German Democratic Republic

Andrzej Gwóźdź

84-96

published: 2016-09-30

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Polish Immigrant Actors in British Postwar Films (up to 1989)

Artur Patek

97-107

published: 2016-09-30

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Transnational and Therefore a Stranger? The Syndrome of Anna Prucnal’s Film Acting

Grzegorz Piotrowski, Karol Szymański

108-124

published: 2016-09-30

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Portrait of a Polish-Jewish Family in an American Interior: “Anya (In and Out of Focus)” by Marian Marzyński

Mikołaj Jazdon

125-136

published: 2016-09-30

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Inspirations

Wild West, Wild East: Western Conventions in Jerzy Hoffman’s and Edward Skórzewski’s “The Law and the Fist” and in Aleksander Ścibor-Rylski’s “The Wolves’ Echoes”

Łukasz A. Plesnar

138-151

published: 2016-09-30

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The Dark Side of Poland? Neo-Noir and Police Cinema in the Work of Patryk Vega

Magdalena Kempna-Pieniążek

152-160

published: 2016-09-30

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Co-Productions

The Difficult Art of Co-Productions: The First Post-War Polish-Czechoslovak Film “What Will My Wife Say To This?” (1958) by Jaroslav Mach

Ewa Ciszewska

162-174

published: 2016-09-30

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Charm of a Harlot: “Maddalena” by Jerzy Kawalerowicz

Rafał Syska

175-182

published: 2016-09-30

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Polish Cinema in the Eyes of the World

The British About the Poles, or Polish Cinema in British Reviews From „Sight & Sound” of the 1950s and 1960s

Karolina Kosińska

184-203

published: 2016-09-30

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Reception of Polish Films in View of the Affect Theory: “Walesa. Man of Hope” by Andrzej Wajda (2013) and “Rose” by Wojciech Smarzowski (2011)

Janina Falkowska

204-212

published: 2016-09-30

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“Ida” in America: Aesthetics, Identity and Artfulness in the Anti-Cinema Film

Sheila Skaff

213-218

published: 2016-09-30

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International Reception of the Polish Cinema: A Study

Arkadiusz Lewicki

219-230

published: 2016-09-30

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The Eye and the Ear

Was It SFX Cinema that Created Donald Trump?

Marcin Giżycki

231-234

published: 2016-09-30

PDF (Język polski)

Books on Film

So That the Viewer Can Feel the Flow, or on Foreign Films on Warsaw Screens

Barbara Lena Gierszewska

235-241

published: 2016-09-30

PDF (Język polski)

In Postcolonial Europe

Barbara Kita

243-248

published: 2016-09-30

PDF (Język polski)

Table of Contents in French

Teresa Rutkowska

256

published: 2016-09-30

PDF (Język polski)

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The project Internationalization and improvement of the publishing quality of the journal “Kwartalnik Filmowy” is financially supported by the Ministry of Education and Science of the Republic of Poland under the “Development of scientific journals” program. Agreement no. RCN/SN/0685/2021/1. Project duration: 15.12.2022-14.12.2024. The total funding value is PLN 50 000; the total value of the project is PLN 50 000. The aim of the project is to raise the level of publishing and editing practices and to increase the international range of the journal Kwartalnik Filmowy.

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The project Publishing of “Kwartalnik Filmowy” in 2023 in paper version is financially supported by the Polish Film Institute under the operational program “Dissemination of film culture”. Agreement no. DUK.602.6.2023. Project duration: 2.01.2023-10.01.2024. The total funding value is PLN 22 000.