No. 89-90 (2015): Redefinitions of the Classics

The production of the issue was co-financed by the Polish Film Institute.

Editorial

Teresa Rutkowska

published: 2015-06-30

PDF (Język polski)

Archaeology of the Cinema – New Research Instruments

Film Editing and Gesture

Yuri Tsivian

6-18

published: 2015-06-30

Repressed Images – Regained Senses: On the Consequences of Watching a Film Again

Ryszard Ciarka

19-26

published: 2015-06-30

PDF (Język polski)

Traces of Unmade Movies

Rafał Syska

27-40

published: 2015-06-30

PDF (Język polski)

The Coen Brothers’ “O Brother, Where Art Thou?”: A Ludic Comedy of Appearances or an Author’s Confession of Faith Into the Power of Laughter?

Ireneusz Skupień

41-55

published: 2015-06-30

PDF (Język polski)

Love Is at the Bottom of Everything: Existential Melodrama

Miłosz Stelmach

56-68

published: 2015-06-30

PDF (Język polski)

The Echoing Wave

The Left Bank of the New Wave or the Left Bank Group?

Paulina Kwiatkowska

70-81

published: 2015-06-30

PDF (Język polski)

“Celle qui avance”: On Becoming Still in the Act, Reading and Rereading of “Gradiva”, Not Only by Alain Robbe-Grillet

Maciej Stasiowski

82-101

published: 2015-06-30

PDF (Język polski)

Juraj Herz’s Method for Styling Reality: The Case of “Morgiana”

Grzegorz Piotrowski

102-112

published: 2015-06-30

PDF (Język polski)

German Reminiscences

From Caligari to Who?

Barry Salt

114-127

published: 2015-06-30

The Return of the Undead

Anton Kaes

128-165

published: 2015-06-30

Can Leni Riefenstahl Be Forgiven?

Marek Hendrykowski

166-174

published: 2015-06-30

PDF (Język polski)

In View of the Canon: The Contemporary German Film in Relation to the Tradition of the New German Cinema

Marta Brzezińska

175-188

published: 2015-06-30

PDF (Język polski)

Films Re-Watched After the Years

The Returning Baroque in Luis Buñuel’s “Un Chien Andalou”: Revised and Updated Notes

Grzegorz Nadgrodkiewicz

190-198

published: 2015-06-30

PDF (Język polski)

Substance, Which Means Nothing: On the Creation of Impossible Events in Robert Bresson’s “L’argent”

Andrzej Zalewski

199-222

published: 2015-06-30

PDF (Język polski)

“Salò, or the 120 Days of Sodom” – An Unnecessary Artistic Provocation or a Proscribed Masterpiece of Cinema?

Markus Lipowicz

223-238

published: 2015-06-30

PDF (Język polski)

Political Contexts

In the Shoes of Lautmann, Deceased: The Hidden Perspective of “The Shop on the Main Street” by Kadár and Klos

Iwona Sowińska

240-253

published: 2015-06-30

PDF (Język polski)

“The Battle of Algiers” – the Birth of the Post-Colonial Discourse

Krzysztof Loska

254-268

published: 2015-06-30

PDF (Język polski)

Two Returns

Alicja Helman

269-286

published: 2015-06-30

PDF (Język polski)

The Perspective of the Avant-Garde

The Chaplinade on Left-Wing Literary and Artistic Circles of the 1920s

Przemysław Strożek

288-305

published: 2015-06-30

PDF (Język polski)

“Expressionism is a Game... And Why Not?”: The Expressionistic Experiment in the “Strong Man” by Henryk Szaro

Natasza Korczarowska-Różycka

306-319

published: 2015-06-30

PDF (Język polski)

Chris Marker’s Travels in Time: The Curious Fate of “La Jetée”

Andrzej Pitrus

320-326

published: 2015-06-30

PDF (Język polski)

From the history of cinema

The Contexts of “The Story of Sin” – the Most Popular Film in Warsaw in 1911

Andrzej Dębski

327-343

published: 2015-06-30

PDF (Język polski)

Aleksander Jackiewicz

The Beacon of Child’s Imagination

Grzegorz Piotrowski

345-346

published: 2015-06-30

PDF (Język polski)

The Eye and the Ear

Unmade Masterpiece, Which Transformed the Cinema

Marcin Giżycki

347-351

published: 2015-06-30

PDF (Język polski)

Books on Film

With Respect to the Past

Krzysztof Kornacki

352-356

published: 2015-06-30

PDF (Język polski)

The Culture of Deformed Meanings

Alicja Helman

357-362

published: 2015-06-30

PDF (Język polski)

Heidegger of the Cinema in the Heideggerian Optics

Andrzej Zalewski

363-366

published: 2015-06-30

PDF (Język polski)

Table of Contents in French

Teresa Rutkowska

376

published: 2015-06-30

PDF (Język polski)

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GRANT

The project Internationalization and improvement of the publishing quality of the journal “Kwartalnik Filmowy” is financially supported by the Ministry of Education and Science of the Republic of Poland under the “Development of scientific journals” program. Agreement no. RCN/SN/0685/2021/1. Project duration: 15.12.2022-14.12.2024. The total funding value is PLN 50 000; the total value of the project is PLN 50 000. The aim of the project is to raise the level of publishing and editing practices and to increase the international range of the journal Kwartalnik Filmowy.

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The project Publishing of “Kwartalnik Filmowy” in 2023 in paper version is financially supported by the Polish Film Institute under the operational program “Dissemination of film culture”. Agreement no. DUK.602.6.2023. Project duration: 2.01.2023-10.01.2024. The total funding value is PLN 22 000.