The Secrets of Anna Lampel’s Biography
Dorota Samborska-Kukuć
dorota.samborska@filologia.uni.lodz.plUniversity of Łódź (Poland)
https://orcid.org/0000-0002-1943-6694
Abstract
This article is devoted to Anna Lampel née Stiegler, a theatre actress of Austrian origin, active on stage in the last two decades of the 18th century. From 1789, she performed in Lviv theatres, first under Franz Bulla, then under Wojciech Bogusławski, with whom she had a relationship. When Bogusławski left Lviv in 1799, she followed him to Warsaw. She died in 1800 in Kalisz; the circumstances of her death remain unknown. Lampel is mentioned in publications by Jerzy Got (Na wyspie Guaxary, 1971) and Zbigniew Raszewski (Bogusławski, 1982). The article takes previous biographical findings and supplements them with information from archive records. The author refers to Lampel’s death certificate and offers a commentary on the funeral speech by Father Jan Dębski. Based on the newly found death certificate of Ewa Lampel, who was born in 1800 in Kalisz and died in 1855 in Warsaw, the author puts forth the hypothesis – corroborated by Raszewski’s suggestions – that Ewa was the child of Anna Lampel and Bogusławski, and that her mother died in childbirth. (Transl. Z. Ziemann)
Keywords:
Anna Lampel, Wojciech Bogusławski, Lviv theatre 1789-1799References
Bogusławski, W. (1895). Korespondencja Wojciecha Bogusławskiego (S. Schnürr-Pepłowski, red.). Tygodnik Ilustrowany, 34.
Google Scholar
Bogusławski, W. (1965). Dzieje Teatru Narodowego na trzy części podzielone oraz wiadomość o życiu sławnych artystów. Warszawa: Wydawnictwo Artystyczne i Filmowe.
Google Scholar
Dębski, J. N. (1801). Mowa Żałobna na Pogrzebie Jmc Pani Anny Lampel (...) miana przez (...) w Kaliszu w Kościele X.X. Kanoników Regularnych St. Augustyna Dnia 23 Sierpnia 1800. Kalisz: Drukarnia Mehwalda.
Google Scholar
Elsner, J. (1957). Sumariusz moich utworów muzycznych: z objaśnieniami o czynnościach i działaniach moich jako artysty muzycznego (K. Lubomirski przeł., A. Nowak-Romanowicz red.). Warszawa: Polskie Wydawnictwo Muzyczne.
Google Scholar
Got, J. (1971). Na wyspie Guaxary. Wojciech Bogusławski i teatr lwowski 1789-1799. Kraków: Wydawnictwo Literackie.
Google Scholar
Kaszyński, S. (red.) (1972). Teatralia kaliskie: Materiały do dziejów sceny kaliskiej (1800-1970). Łódź: Wydawnictwo Łódzkie.
Google Scholar
Małkowska, H. (1976). Teatr mojego życia. Łódź: Wydawnictwo Łódzkie.
Google Scholar
Nowaczyk, H. (1989). Świat jest teatrum powszechne. Południowa Wielkopolska, 5.
Google Scholar
Raszewski, Z. (1982). Bogusławski. Warszawa: PIW.
Google Scholar
Raszewski, Z. (1990). Trudny rebus: Studia i szkice z historii teatru. Wrocław: Wiedza o Kulturze.
Google Scholar
Authors
Dorota Samborska-Kukućdorota.samborska@filologia.uni.lodz.pl
University of Łódź Poland
https://orcid.org/0000-0002-1943-6694
Professor, head of the Department of Positivism and Young Poland, University of Lodz; literary historian, specialist in Polish Border - lands, genealogist, biographer. Her academic focus as a literary scientist, applies to the 19th century, in particular the fringe phenomena, and her academic focus as a genealogist applies to reconstructing and correcting the biographies of mainly individuals and families related to literature.
Statistics
Abstract views: 438PDF downloads: 237
License
Copyright (c) 2020 Dorota Samborska-Kukuć

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
The author grants a royalty-free nonexclusive license (CC BY 4.0) to use the article in Pamiętnik Teatralny, retains full copyright, and agrees to identify the work as first having been published in Pamiętnik Teatralny should it be published or used again (download licence agreement). By submitting an article the author agrees to make it available under CC BY 4.0 license.
From issue 1/2018 to 3/2022 all articles were published under a Creative Commons license CC BY-NC-ND 4.0. During this period the authors granted a royalty-free nonexclusive license (CC BY-ND 4.0) to use their article in Pamiętnik Teatralny, retained full copyright, and agreed to identify the work as first having been published in our journal should it be published or used again.