Transatlantic Theatre Mediators
Abstract
Artykuł omawia książkę Nica Leonhardta Theatre Across Oceans: Mediators of Transatlantic Exchange, 1890–1925 (Palgrave Macmillan, 2021). Głównym przedmiotem zainteresowania jej autora są kontakty teatralne między Europą a Amerykami, a także rola pośredników i agentów takich jak Elisabeth Marbury, Alice Kauser, Richard Pitrot czy H. B. Marinelli. Analiza ich funkcji w branży teatralnej oraz ich sposobów wykorzystywania dostępnych wówczas technologii pozwala Leonhardtowi stwierdzić, że niewielka widoczność tych postaci w badaniach teatrologicznych stoi w diametralnej sprzeczności z ich znaczącym wpływem w omawianym okresie.
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Keywords:
transatlantic mediators, theatre, technologies, powerReferences
Leonhardt, Nic. Theatre Across Oceans: Mediators of Transatlantic Exchange, 1890-1925. Cham: Palgrave Macmillan, 2021.
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Authors
Vanesa CotroneoLudwig-Maximilians-Universität Germany
https://orcid.org/0000-0002-1188-2032
Vanesa Cotroneo – Doctoral Candidate and Scientific Fellow in the ERC T-MIGRANTS Project at the Ludwig Maximilian University of Munich (LMU). She studied Comparative Literature, Theatre, and Media at University of Buenos Aires, and National University of La Plata, Argentina, and completed the Master of Arts The Americas at Friedrich Alexander University of Erlangen-Nuremberg. Her current research focuses on European theatre migrants who arrived in Argentina between 1850 and 1919, cultural policies, and the (digital) archive.
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